Sonia Delaunay

SONIA DELAUNAY (Odessa, 1885 - France, 1979).
"Projet de Tissu T. 85", c. 1930.
Gouache on paper.
Slight tears at the edges.
Signed and titled in the lower right corner.
Measurements: 27 x 21 cm; 53 x 43 cm (frame).
With her characteristic synthetic style in this piece Delaunay, conforms a geometric composition, where she combines different lines arranged through different strokes, creating an image that reminds in some way to op art. However, despite the prominence of the forms, it is necessary to mention the use of color that the artist makes, as a slight reminiscence of the work she developed with her husband, both creators of the orphic cubism. The piece is reminiscent of some patterns that the artist made on canvas in the 1920's. However, from the 1930's onwards she stopped making distinctions between one format or the other, merging both. An example of this is the work "Painterly effects" that belongs to the Cooper Hewit Museum in New York, in which geometric patterns close to the present piece can be seen.

Born Sonia Ilínichna Stern, Sonia Delaunay is better known by her married name, which she adopted after marrying Robert Delaunay. A French painter and designer of Ukrainian origin, she was, along with her husband, one of the main representatives of abstract art, as well as the creator of simultanism. She grew up in St. Petersburg, in contact with the collection of paintings of the Barbizon School of her uncle and with the cultural life of the city. In 1903 she moved to Germany to further her education, where she discovered contemporary painting and studied drawing with Schmidt-Reuter. Two years later he moved to Paris and enrolled in the Academie de la Palette, where he was also initiated in engraving by Grossman. During these years he approached the European avant-garde through German expressionism, with a work that also reveals echoes of post-impressionism. In 1908 he held his first exhibition, showing works from his recently initiated Fauvist period. Two years later he married Delaunay, with whom he shared aesthetic concerns. Their art then underwent a change of direction, towards abstraction. The artist will then move towards the decorative arts, always with a purely abstract colorist language that will attract the attention of her peers and also of the critics. Although in 1912 she returned to painting, her fame as a designer had already been established throughout Europe. From then on she would frequently participate in important European exhibitions, such as the Berlin Autumn Salon or the Salon des Indépendants in Paris. During the First World War she lived in Spain and Portugal, where she developed an intense creative activity, including collaboration with Diaghilev's ballet. In 1921 the couple returned to Paris, where Sonia Delaunay continued to work on important projects, in addition to exhibiting her work both in Europe and the United States. Already fully recognized from the fifties onwards, compilations of her work began to be published, and in fact in 1958 her first retrospective exhibition was dedicated to her in Bielefeld (Germany). In addition, in 1975 she was named officer of the French Legion of Honor. Currently Delaunay is represented in major collections around the world, including the MoMA in New York, the Hermitage in St. Petersburg, the Reina Sofia in Madrid, the Albertina in Vienna and Haifa in Israel.