Upcoming Auctions
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October 14
Luxury day: Jewellery
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October 14
Luxury day: Handbags & Accessories
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October 21
Old Masters I
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October 21
Old Masters II
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October 22
Decorative Arts
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October 22
Oriental and Tribal Art
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October 26
19th and 20th century classics
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October 27
Contemporary Art and latest trends
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October 27
Contemporary Art: The Prints of Antoni Tàpies
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October 28
Private collection: 19th and 20th century paintings
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October 29
Unique Items for Collectors
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November 5
19th and 20th century classics
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November 9
The Martí Alsina–Martí Aguiló Family Legacy I
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November 9
The Martí Alsina–Martí Aguiló Family Legacy II
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November 9
The Martí Alsina–Martí Aguiló Family Legacy III
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November 9
The Martí Alsina–Martí Aguiló Family Legacy IV
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November 19
Private Collection: 19th- and 20th-Century European Sculpture
Setdart selection
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Pair of Meissen planters. Germany, mid-18th century.Lot 40044186 -
Heroes from *The Song of the Nibelungs*. Probably Germany, late 19th centuryLot 40050963 -
José de RiberaLot 40010885 -
Bartholomeus Van BassenLot 40044227 -
Japanese school, early Meiji period, ca. 1872.Lot 40044187 -
In the style of Dirk Bouts, early 16th centuryLot 40048761 -
Italian School, second half of the 17th century.Lot 40044188 -
"A Buddhist Disciple in Prayer." Thailand, Rattanakosin period, reign of Rama III, 1824–1851.Lot 40046041
Setdart Magazine
Tàpies and Clavé: two paths to abstraction
Although they belonged to different generations, Antoni Clavé and Antoni Tàpies developed their careers within the context of postwar artistic renewal in Spain. At different times, both contributed to the expansion of painting into new languages, during a period when numerous artists began to question inherited models of representation and seek new forms of expression. In their respective works, this process resulted in a gradual departure from traditional representation and a growing focus on the possibilities of material, surface, gesture, and color. Their paths toward abstraction, however, were fundamentally different. In Clavé’s work, the image arises from the fragmentation, superimposition,
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