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Poster clock type BOULLE. France, Napoleon III period, ca. 1860

Auction Lot 7 (35249248)
Poster clock type BOULLE. France, Napoleon III period, ca. 1860.
Wooden core, gilt bronze and marquetry of part and counterpart.
Dial with enameled porcelain numbering.
Machinery signed.
Presents faults and needs restoration. With pendulum.
Measurements: 73 x 52 x 24,5 cm.

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Estimated Value : 1,800 - 2,000 €
Live auction: 21 Jan 2025
Live auction: 21 Jan 2025 15:00
Remaining time: 33 days 06:14:26
Processing lot please standby
Next bid: 1300

BID HISTORY

DESCRIPTION

Poster clock type BOULLE. France, Napoleon III period, ca. 1860.
Wooden core, gilt bronze and marquetry of part and counterpart.
Dial with enameled porcelain numbering.
Machinery signed.
Presents faults and needs restoration. With pendulum.
Measurements: 73 x 52 x 24,5 cm.

The design of this clock follows the models created by André Charles Boulle (1642-1732) during the reign of Louis XIV. Thus, it is decorated with the artist's own marquetry, simulating ebony and metal, and important motifs in relief and round bulge, including figurative elements, which in the case of Boulle's furniture were pieces carved in wood, here already applied bronzes more typical of the style of the time. The decoration is completely baroque, in the style of the French decorative arts of the last period of the reign of Louis XIV. This is because this period was key in the development of the decorative arts of the period of Louis XVI, as designers and artists turned their gaze to the Regency style, transition from baroque (classical) to rococo (anti-classical), in search of formulas for transition from the rococo style to the new neoclassical. Thus, we see a great importance of classicist figuration, with allegorical figures adorning the front and the finial, as well as fantastic figuration derived from baroque chinoiserie, an architectural structure also baroque, chromatic contrasts typical of Boulle and a profusion of motifs such as turnstones, leaves, masks and classical vases that seem directly taken from the ornamental background of the French classicist baroque.

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