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Marcial Gómez

Auction Lot 47 (35272872)
MARCIAL GOMEZ (Córdoba, 1930-2012).
"natural father".
Oil on board.
Signed and dated in the lower right area.
Measures: 53 x 40.5 cm; 69 x 57.5 cm (frame).

Open live auction
Estimated Value : 2,000 - 3,000 €
Live auction: 06 Feb 2025
Live auction: 06 Feb 2025 15:00
Remaining time: 7 days 06:45:13
Processing lot please standby
Next bid: 1200

BID HISTORY

DESCRIPTION

MARCIAL GÓMEZ (Cordoba, 1930-2012).
"Natural father".
Oil on tablex.
Signed and dated in the lower right area.
Size: 53 x 40,5 cm; 69 x 57,5 cm (frame).
Known for his paintings and illustrations, he entered the world of art at the beginning of the 50's. Years later he was linked to the textile sector, turning his pictorial work onto canvas. He used gouaches which he later printed on clothes. During the 1970s he began to work exclusively with oil painting, thus focusing his attention on his work, which he introduced to the market through several exhibitions in various galleries. His work is defined by a figurative aesthetic language, which is influenced by styles such as surrealism and magic realism. In his first stage, his work was aesthetically linked to the comic book artist Alex Raymond, although he later drew on other currents such as geometric constructivism, which he abandoned in favour of figuration.


Known for his painting and illustrations, he entered the art world in the early 1950s. Years later, he became involved in the textile industry, putting his pictorial work on canvas. He used gouaches which he later printed on clothes. During the 1970s he began to work exclusively with oil painting, thus focusing his attention on his work, which he introduced to the market through several exhibitions in various galleries. His work is defined by a figurative aesthetic language, which is influenced by styles such as surrealism and magic realism. In his first stage, his work was aesthetically linked to the comic book artist Alex Raymond, although he later drew on other currents such as geometric constructivism, which he abandoned in favour of figuration.

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