Joaquin Sorolla

JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923).
"Woman's head", c. 1896.
Oil on painter's palette.
Attached certificate of authenticity issued by Doña Blanca Pons Sorolla.
It has slight damage to the frame.
Signed and dedicated.
Measurements: 31 x 45 cm; 72 x 82 cm (frame).
Work signed by five artists.
-Julio Cebrián Mezquita (Valencia 1854-1926), "Arab", 1897.
-Pedro Ferrer Calatayud (1860-1944), "Sea". 1896.
-Mariano Benlliure (Valencia, 1862 - Madrid, 1947), "Nuns.
-Isidoro Garnelo (Valencia, 1867-1939), "Church".
-Mariano García y Mas (Valencia 1858-1911), "Child".
Painter's palette where six painters have captured small works of great pictorial quality, almost miniaturized. The palette that serves as a pictorial base seems to be dominated by a navy of great spatial depth, on which is superimposed a view of a palace in Venice, and several portraits starring nuns, a man dressed in an orientalist manner, a small child and a woman with a bow attributed to Sorolla. Painter's palettes, traditionally conceived as functional tools, have not only witnessed the artistic process, but have sometimes been transformed into unique canvases. In the 19th century, artists such as Joaquín Sorolla broke with the idea of the palette as a mere instrument, using it as a support to create original works. These pieces, loaded with texture and spontaneity.
Already in his school days, Joaquín Sorolla showed his fondness for drawing and painting, attending the drawing classes given by the sculptor Cayetano Capuz in the School of Artisans in the afternoons. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity would remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame. In 1906 he held his first individual exhibition at the George Petit Gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton Gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla gave rise to the most important commission of the painter's life: the creation of the immense canvases destined to illustrate, on the walls of the Hispanic Society, the regions of Spain. He is currently represented in the Prado Museum and the one that bears his name in Madrid, the Metropolitan Museum in New York, the Orsay Museum in Paris, the J. Paul Getty Museum in Los Angeles, the Fine Arts Museums of Bilbao and Valencia, the National Portrait Gallery in London and many others.