Lucas Velázquez Circle, 19th century

Circle of EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870), 19th century.
"Procession".
Oil on panel.
Frame of the nineteenth century.
Measurements: 24 x 41 cm; 30 x 47 x 3 cm (frame).

The author of this panel, very much in the line of Eugenio Lucas Velázquez, offers us a sacramental scene starring a procession of Christ crucified with other steps and banners. The anecdotal aspect of the composition lies in the fact that the group of several altar boys, parish priests and faithful are surprised by an unexpected storm at dusk.

Eugenio Lucas was the Spanish Romantic artist who best understood Goya's art. Trained in the neoclassicism of the San Fernando Academy, he soon turned his training around and devoted himself to studying Velázquez and, above all, Goya, whose works he admired and copied in the Prado Museum. From the master, Lucas will develop a personal and imaginative painting, of fantastic visions and unleashed passions. Apart from his Goyaesque themes, in 1850 he painted the now disappeared ceiling of the Teatro Real in Madrid, and later he was named honorary chamber painter and knight of the order of Carlos III by Queen Isabel II. As a good romantic, he made several trips, among which his stays in Italy, Morocco and Paris stand out. He achieved great success as a painter of manners and scenes of fantastic and sinister character, although it is true that he was also an excellent landscape painter and portraitist. His work is well represented in the Prado Museum, and also in other centers such as the Bilbao Fine Arts Museum, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum of New York and the Goya Museum in Castres (France).