Spanish school; 17th century.

Spanish school; XVII century.
"Salvator Mundi".
Oil on canvas.
Measurements: 45 x 34,5 cm; 61 x 50 cm (frame).
This oil painting, framed within the Spanish school shows Christ as "Salvator Mundi", an iconography that represents the Christological concept of Jesus Christ as universal savior, in relation to his role as judge in the Final Judgment and his character of Redeemer. It is characterized by presenting Christ raising his right hand as a sign of blessing, while holding with his left hand an orb symbolizing the universe, crowned by a cross that emphasizes the universal character of the Christian doctrine and the redemptive act of Christ. Although in this case only the bust of Christ is represented.
Spanish baroque painting is one of the most authentic and personal examples of our art, because its conception and its form of expression arose from the people and the deepest feelings that nested in it. With the economy of the State broken, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, the parishes and the confraternities of clerics and laymen who promoted its development, the works sometimes being financed by popular subscription. Painting was thus forced to capture the prevailing ideals in these environments, which were none other than religious ones, at a time when the Counter-Reformation doctrine demanded from art a realistic language so that the faithful would understand and identify with what was represented, and an expression endowed with an intense emotional content to increase the fervor and devotion of the people. The religious subject is, therefore, the preferred theme of Spanish painting of this period, which in the first decades of the century began with a priority interest in capturing the natural, to progressively intensify throughout the century the expression of expressive values.