Spanish school; 18th century.

Spanish school; XVIII century.
"Holy Family with St. Johnny".
Oil on canvas.
Presents previous restorations. With patches on the back.
Measurements: 73 x 95 cm; 84 x 107 cm (frame).
In this work the artist has made the representation of the Holy Family, following the sweet and naturalistic modes typical of the European school. We see Mary and the Child in the center of the composition, and next to them an elderly St. Joseph, who contemplates the Virgin, inserted in the scene that develops between the Virgin and the Child. The family is in an interior of neutral character, which stands out for certain brighter shades, which provide a sense of spaciousness. It is necessary to emphasize the naturalness of the scene, since the Child is sleeping, while San Juanito, who is located in the right zone of the composition, carries a cross in his arms. This close attitude is used by the author to inspire and indoctrinate the spectator, thus getting him to empathize with religion through a scene of friendly character.
In the most common sense of the expression, the Holy Family includes the closest relatives of the Child Jesus, that is, mother and grandmother or mother and nurturing father. In both cases, whether it is St. Anne or St. Joseph who appears, it is a group of three figures. From the artistic point of view, the arrangement of this terrestrial Trinity poses the same problems and suggests the same solutions as the heavenly Trinity. However, the difficulties are fewer. It is no longer a question of a single God in three persons whose essential unity must be expressed at the same time as diversity. The three personages are united by a blood tie, certainly, but they do not constitute an indivisible block. Moreover, all three are represented in human form, while the dove of the Holy Spirit introduces into the divine Trinity a zoomorphic element difficult to amalgamate with two anthropomorphic figures. On the other hand, this iconography was traditionally, until the Counter-Reformation, a representation of the Virgin and Child to which the figure of St. Joseph was added in the foreground. It was not until the reforms of Trent when St. Joseph began to take center stage as protector and guide of the Infant Jesus.