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José Manuel Broto

Auction Lot 143 (35247946)
JOSÉ MANUEL BROTO GIMENO (Zaragoza, 1949).
Untitled, 2007.
Etching, copy 60/100.
Signed and justified by hand.
Measurements: 70 x 50 cm.

Abrir subasta en vivo
Estimated Value : 200 - 250 €
Live auction: 16 Jan 2025
Live auction: 16 Jan 2025 15:30
Remaining time: 20 days 01:27:38
Processing lot please standby
Next bid: 150

BID HISTORY

DESCRIPTION

JOSÉ MANUEL BROTO GIMENO (Zaragoza, 1949).
Untitled, 2007.
Etching, copy 60/100.
Signed and justified by hand.
Measurements: 70 x 50 cm.

Aragonese painter framed within the new abstraction of the seventies, and one of the most significant figures of contemporary Spanish painting, José Manuel Broto studied at the School of Arts and Crafts in Zaragoza, and exhibited his work for the first time in 1968 (Galdeano gallery), showing a style in line with constructivism. In 1972 he moved to Barcelona, where he founded the group Trama with Javier Rubio, Xavier Grau and Gonzalo Tena. With this group he presented his work in 1976 at the Maeght gallery in Barcelona, with the support of Antonio Tàpies. Trama also published an artistic magazine of the same name, of which, however, only two issues appeared (1976-1977). However, after the dissolution of the group Broto entered a language close to abstract expressionism, which incorporates into his work a landscape of primitive nature. He will show these new works in his first solo exhibition in Paris, held in 1984 at the Adrien Maeght gallery. The following year he left Barcelona and settled in the French capital, where he spent ten years and coincided with other Spanish artists such as Barceló, Campano and Sicilia. In his Parisian stage Broto replaces the romantic themes for more austere and abstract forms, and his work is filled with organic forms related to the ascetic and mystical tradition. In the mid-eighties he returned to Spain, this time settling in Mallorca. Already as a mature artist, he practices a neoabstraction directly linked to the Catalan school of the seventies, influenced in its origins by the aesthetic and plastic principles of the French group Support/Surface, which in 1966 claimed a return to painting after the disorder produced by the conceptual movements. Since 1998, his thematic range has expanded with spatial figures, transparencies, atmospheric forms, etc., combined with a colorful treatment and a rigorous structure. Throughout his career, Broto has held numerous exhibitions, and has been awarded the National Prize of Plastic Arts (1995), the ARCO Prize of the Critics Association (1997) and the Aragón Goya Prize for Engraving (2003). Also, in 1995 the Reina Sofia Museum in Madrid dedicated a retrospective exhibition to him. He is currently represented in the Museo de Arte Abstracto Español de Cuenca, the FRAC (Midi-Pyrénées, France), the Chase Manhattan Bank Collection in New York, the Juan March Foundation, the Reina Sofía, the Metropolitan Museum in New York, the Fond National d'Art Contemporain in Paris, the Kampo Collection in Tokyo, the Tàpies Foundation in Barcelona, the DOVE Collection in Zurich, the Ateneum in Helsinki, the Peter Stuyvesant Foundation in Amsterdam, the Maeght in France, La Caixa in Barcelona, the Preussag in Hanover and the IVAM in Valencia.

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