Pair of candlesticks; Attributed to HENRY DASSON (Paris, 1825- Saint-Germain en Laye, 1896); France, c. 1880.
Gilded bronze.
Measurements: 24 x 12 x 12 cm (x2).
Open live auction
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BID HISTORY
DESCRIPTION
Pair of candlesticks; Attributed to HENRY DASSON (Paris, 1825- Saint-Germain en Laye, 1896); France, c. 1880.
Gilded bronze.
Measurements: 24 x 12 x 12 cm (x2).
These are two pieces of gilt bronze candlesticks, elaborately designed and detailed. Each candlestick features cherub figures on the central stem, surrounded by floral and decorative details. The base is sturdy, with symmetrical elements and reliefs, showing a classic and luxurious style, possibly of baroque or rococo inspiration. The figures convey elegance and sophistication, highlighting the fine craftsmanship in the gilded details.
The technical characteristics and style bring us closer to the pieces of Henry Dasson, one of the most acclaimed bronze and cabinetmakers of the second half of the 19th century. Author of ornamental works and furniture of great quality, always within a historicist style, he also made singular works such as the tomb of Adélaïde Louis Jeanne Victoire Herbemont, in the Père Lachaise cemetery in Paris, cast by him and designed by the sculptor Léopold Morice. Dasson showed his works in various exhibitions of the time, being always awarded and highly valued by critics. His participation in the Universal Exhibition of Paris in 1878, where he was congratulated by prominent figures of the time such as Louis Gonse, is especially noteworthy. He was later awarded the Grand Prix Artistique, among other prizes, and was named knight of the French Legion of Honor. For the realization of his pieces, Dasson was interested in the works of art of the past, especially those of the time of Louis XVI, the time of development of French neoclassicism. His ornamental vases, furniture and lighting pieces were in great demand at the time, both by the French clientele and in the rest of the world. Active in Paris, he made not only historicist pieces, inspired by the works of the 17th and 18th centuries, but also reproductions of the furniture of the courts of Louis XIV, Louis XV and Louis XVI. His works are always characterized by the high quality of their execution, and his extraordinary mercury-gilded bronzes are particularly noteworthy in this regard. Dasson was a more than worthy continuator of Charles-Guillaume Winckelsen, whose business he acquired after the latter's death in 1870. Even earlier in his early career, he had already won the favor and recognition of the French aristocracy as a cabinetmaker, and in fact was the personal cabinetmaker to Empress Eugénie, wife of Napoleon III. Like many others, the empress was impressed by Dasson's skill and refinement, and commissioned a large number of pieces for the decoration of her royal residences. She also counted among her clients the British royal family. Dasson's works are now housed in the Victoria & Albert Museum in London, among other notable public and private collections.
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