Salvador Dalí

SALVADOR DALÍ I DOMÈNECH, (Figueras, Girona, 1904 - 1989).
"Dalí de Draeger.
Paris, Le Soleil Noir, 1968.
Dedicated and signed by Dalí in 1972.
Texts by Max Gérard.
Slight wear on the cover.
Measurements: 31 x 29 x 4 cm. 242 pages.
Monograph on the work of Salvador Dalí, profusely illustrated with color images, some in black and white. This volume is more than a simple biography or catalog of his work; it is a carefully constructed collaboration that captures the provocative and eccentric essence of Dalí through a striking visual format, in which the high quality images stand out. Gérard compiles texts, photographs and reproductions of the painter's works, as well as including reflections and quotes from Dalí that reveal intimate aspects of his life, his thoughts on art and his surrealist vision of the world.
During his early years, Dalí discovered contemporary painting during a family visit to Cadaqués, where he met the family of Ramón Pichot, an artist who regularly traveled to Paris. Following Pichot's advice, Dalí began to study painting with Juan Núñez. In 1922, he began his Fine Arts studies at the San Fernando Academy. However, before his final exams, in 1926, he was expelled for claiming that there was no one there fit to examine him. That same year Dalí traveled to Paris for the first time. There he met Picasso, and established some formal characteristics that would become distinctive of all his work from then on. His language absorbed the influences of many artistic styles, from classical academicism to the most groundbreaking avant-garde. At that time, the painter grew an eye-catching moustache imitating Velázquez's, which would become his personal trademark for the rest of his life. In 1929, Dalí collaborated with Luis Buñuel in the making of "An Andalusian Dog", in which scenes from the surrealist imaginary were shown. In August of that same year he met his muse and future wife Gala. During this period, Dalí held regular exhibitions in both Barcelona and Paris, and joined the surrealist group based in the Parisian neighborhood of Montparnasse. His work greatly influenced the direction of surrealism for the next two years, and he was hailed as the originator of the paranoiac-critical method, which was said to help access the subconscious by releasing creative artistic energies. In 1931 Dalí painted one of his most famous works, "The Persistence of Memory", in which, according to some theories, he illustrated his rejection of time as a rigid or deterministic entity. The painter landed in America in 1934, thanks to art dealer Julian Levy. As a result of his first individual exhibition in New York, his international projection was definitively consolidated, and from then on he would show his work and give lectures all over the world. That same year he was subjected to a "surrealist trial" which resulted in his expulsion from the movement, because the painter considered that surrealism could exist in an apolitical context, refusing to commit himself to the ideas of André Breton. To this, Dalí responded with his famous retort, "I am surrealism". Most of his production is gathered in the Dalí Theater-Museum in Figueras, followed by the collection of the Salvador Dalí Museum in St. Petersburg (Florida), the Reina Sofía in Madrid, the Salvador Dalí Gallery in Pacific Palisades (California), the Espace Dalí in Montmartre (Paris) or the Dalí Universe in London.