Alexandre de Riquer

ALEXANDRE DE RIQUER INGLADA (Calaf, Barcelona, 1856 - Palma de Mallorca, 1920).
"Original project for the poster: Mosaicos Escofet-Tejera y Cia", ca. 1900.
Drawing in ink, pencil and watercolor on paper.
Signed in the lower margin.
The final poster (190 x 103.5 cm) is preserved in the Museo Nacional de Arte de Cataluña (MNAC).
Framed with museum glass.
Measurements: 24 x 14,5 cm; 38 x 28 cm (frame).

The final poster, kept at the MNAC, was selected for the project "Partage Plus - Digitising and Enabling Art Nouveau for Europeana".

Drawer, painter and poet, de Riquer began his studies in Manresa and Languedoc, France. Back in Barcelona, he completed his training with Tomás Padró and Antoni Caba, at La Lonja. He then travels to Paris and London, being of special importance his contact in England with Japonism, Pre-Raphaelism and the Arts & Crafts movement. Influenced by figures such as William Morris, he embodied the Pre-Raphaelite ideal: artist, craftsman and poet united in the same man. He founded a furniture workshop, made designs for decorative arts and collaborated as a draftsman and poet with the most prominent publications of Catalan modernism. He also introduced the art of ex-libris in Catalonia, a discipline in which he achieved worldwide fame. He participated in numerous exhibitions and expositions, obtaining first medals in the Universal of Barcelona (1888), the National of Madrid (1906) and the Universal of Chicago (1893). Riquer is represented in the Prado Museum, the National Art Museum of Catalonia, the Ateneo of Barcelona, the Cau Ferrat and the Diocesan Museum of Barcelona, among many others.