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Vase in the manner of Sèvres; Possibly Samson, France, third third third of the nineteenth century.

Auction Lot 40006393
Vase in the manner of Sèvres; Possibly Samson, France, third third third of the nineteenth century.
Glazed and partially gilded porcelain.
Signed E. Collet (Possibly Eugene Alexis Collet).
Measurements: 77 x 29 x 22 cm.

Open live auction
Estimated Value : 4,000 - 6,000 €
Live auction: 26 Feb 2025
Live auction: 26 Feb 2025 15:00
Remaining time: 20 days 23:47:48
Processing lot please standby
Next bid: 2000

BID HISTORY

DESCRIPTION

Vase in the manner of Sèvres; Possibly Samson, France, third third third of the nineteenth century.
Glazed and partially gilded porcelain.
Signed E. Collet (Possibly Eugene Alexis Collet).
Measurements: 77 x 29 x 22 cm.
Vase made in glazed porcelain with high and low temperature colors, including gold, with gilded bronze mounts on the base and handles. Aesthetically the work follows the model of the Sèvres colored backgrounds. The central cartouche image stands out, showing an intimate scene of a mother and daughter. Although the front area presents the figures, the back is reserved for a landscape.

The firm Samson, Edmé et Cie. was founded by Edmé Samson in 1845 in Paris, with the aim of producing replicas of the ceramic and porcelain pieces exhibited in museums and private collections. The factory, moved to Montreuil in 1864, focused on the reproduction of antique and also modern pieces from other manufactures, such as Meissen, Sèvres, Chelsea and Derby. Among the pieces reproducing styles of the past are objects inspired by Italian majolica, Persian plates, Bernard Palissy pieces and Hispano-Muslim ceramics, as well as Japanese Imari and Arita pieces and reproductions of Chinese porcelain, especially of the 18th century Pink Family and Green Family styles. Samson's pieces were always reproductions, never copies with deceptive intent, since they all originally featured the factory mark, an anchor (although on some pieces it was hidden or removed). In addition, he tried to distinguish his pieces by using hard porcelain paste, when most of the originals to which he referred were of soft paste. Likewise, the scale of the pieces was changed, as well as the colors used for their decoration. The firm continued in production until 1969, and its models were sold ten years later at Christie's London.

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