Pair of lanterns; China, Qing dynasty, Tongzhi period, 1961-1875.

Pair of lanterns; China, Qing dynasty, Tongzhi period, 1961-1875.
Glazed porcelain. Pink family.
Presents small restoration in the lower third of one of the lanterns.
Measurements: 31 x 14 x 14 cm.
This elegant pair of Chinese porcelain lanterns belongs to the Qing dynasty, specifically to the Tongzhi period (1861-1875). The lanterns are notable for their octagonal shape and delicate glazed decoration, which fuses the lattice technique with vibrant floral motifs.
Each lantern is composed of three sections: the base, the body and the upper rim. The base, shaped like a pedestal, displays a yellow background adorned with brightly colored flowers, while small punctured holes allow light to pass through. The body, the most prominent part, features openwork green panels with geometric patterns, adding lightness and elegance to the piece. These panels are framed by iron-red enameled bands, covered with lush multicolored flowers and small circular reserves with painted scenes of landscapes, birds and flowers, traditional symbols of prosperity and harmony.
The upper rim, with its wavy outline, is decorated with enameled flowers on a red background, bringing unity to the composition. The glossy enamel and vibrant color scheme highlight the craftsmanship of the period.
These lanterns not only served as decorative objects, but also served a practical function, casting a dim light and creating shadow play through their intricate punctures. They are a testament to the artistic refinement and cultural richness of the Qing court during the 19th century.
Under the Qing, inherited art forms flourished and innovations occurred on many levels and in many types. High levels of literacy, a successful publishing industry, thriving cities, and Confucian emphasis on cultivation nurtured a lively and creative set of cultural fields. uring this period, the European tendency to imitate Chinese artistic traditions, known as chinoiserie, also gained great popularity in Europe due to increased trade with China and the broader current of Orientalism.